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They go on sexy solo dates, and they have the run of the Avalon and all its luxuries.
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Jim admittedly makes it easy: He is sweet, incredibly happy to see her, and full of surprises also he looks exactly like Chris Pratt, so that can’t hurt. Sony PicturesĪnd yet he doesn’t tell her why she’s awake, letting her believe that her pod malfunctioned too. Chris Pratt and Jennifer Lawrence in Passengers. This is where things get complicated: Finally giving in to his loneliness, Jim wakes up Aurora - who happens to share a name with the princess in Sleeping Beauty - and she has basically no choice but to fall in love with him once she realizes the fix they’re in. Here be some mild spoilers, if you didn’t know how Jennifer Lawrence got into this movie. What if he woke her up and didn’t tell her what happened? What then? Movie 2: Titanic in Space, Just the Love Story Part, but Creepier and Kind of a Twisted Horror Film He grows increasingly obsessed with her, watching her pre-boarding videos. Then, months into his confinement, unshaven and barely summoning the will to live anymore, Jim realizes that he could wake up someone else. Much of the pleasure of this first segment of the movie comes from watching Pratt discover the ship’s amenities and explore them his wonderment when he takes his first spacewalk is affecting, and Pratt’s comedy chops are used to their best effect here. He’s comfortable enough with his economy-class cabin and basic food choices, and he has someone to talk to - a robot bartender named Arthur ( Michael Sheen), whose programming is good enough to approximate a real bartender - but the prospect of living out his remaining days trapped alone in a huge, empty shopping mall ( in space) drives him to desperate measures. Increasingly panicked, Jim tries to break into the crew cabin, but he doesn’t have the right security clearance. Unfortunately, Jim’s pod malfunctioned, and he woke up 90 years early, which means unless he can somehow get back into hibernation, he’ll spend the rest of his life alone on the ship and die before anyone wakes up. In the final months, they will learn skills, mingle with fellow passengers, and enjoy the Avalon’s comforts, like restaurants, sports, video games, a swimming pool that looks out onto the stars, and the ability to spacewalk while tethered to the ship. The Avalon is designed to keep its occupants asleep for the first 170-ish years of their journey - they’re in suspended animation - and then wake them up four months before landing on a new settlement, where they’ll have a fresh start. The Avalon, in the manner of the Axiom in Pixar’s Wall-E, is more a cruise ship than anything else, carrying 5,000 passengers and crew en route to a new civilization (Earth having become overcrowded and unpleasant). In a last man on earth/survivalist fable with just a hint of class commentary, Jim Preston (Pratt), a mechanic, wakes up in his pod on the Avalon.
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Movie 1: Robinson Crusoe, But in Space and With Robots There’s no way to accurately convey the issues Passengers raises without getting into some of the plot’s specifics - so if you want to go in cold, stop now. To try to understand what Passengers is getting at, and how it fails, let’s separate and dissect the three movies it comprises. Passengers has all the setup of those questions, but it seems uninterested in exploring them. That’s especially true of sci-fi, which by its nature explores big existential questions about things like the nature of humans, relationships, and societies. They are both amusing and pretty, which is about all the movie asks of them.īut attractive and amiable do not a good movie make. Directed by Morten Tyldum ( The Imitation Game) from a screenplay by Jon Spaihts ( Doctor Strange, Prometheus, and the upcoming Mummy reboot), the movie stars not one but both of America’s sweethearts: Chris Pratt and Jennifer Lawrence.